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FLIGHT | “A Simulator of Multiple Outcomes”

Posted by Laura Swain, 9th September 2019, 13:35pm

Artists David Rosenberg and Glen Neath have been making work together on and off since 2011.  In 2016 they invited producer Andrea Salazar to work with them on creating a series of dark shipping container shows, using immersive experiences to explore fear and anxiety and DARKFIELD was born. We spoke with Glen Neath about DARKFIELD’s latest touring container show FLIGHT and the inspiration behind it. LPAC: DARKFIELD are at the forefront of using binaural 360 degree sound in theatre but where do they get their ideas from? Neath: Well, the shows always grow out of our policy of placing each audience member at the centre of the experience. We then explore ideas that suit our use of darkness as a tool to free the imagination. For instance, FLIGHT began out of our desire to put an audience on a replica aeroplane. And that gave us a license to have some fun with the fears and anxieties around flying. LPAC: But despite the sensory effects FLIGHT is definitely no flight-simulator? Neath: No, not in a traditional sense, although audiences really do feel like they are taking off, this is more a simulator of multiple outcomes. In making the show, we read

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